by Osprey Photo Workshops & Tours | Jan 24, 2015 | Assateague, Brazil, Chicoteague, Digital Photography, Nature Photography, Pantanal, Photo Technique, Photo Tours, Photo Workshops, Wildlife, Wildlife Photography
CAMERA CLUBS & OTHER SOURCES OF INFO
Your fellow camera club members can be helpful pointing out local hotspots for wildlife photography. At one such club meeting in Manassas where I was delivering a lecture, I learned that elk herds exist in Pennsylvania, near Benesette http://elkcountryvisitorcenter.com/drupal/ . They are typically found where there is fresh browse. In the fall, the males bugled just like courtship in Yellowstone. Magazines such as Outdoor Photographer www.outdoorphotographer.com can be a great resource describing favorite locations for photography. Robert Hitchman has a newsletter “Photograph America” with detailed info on trails and photo perspectives for all types of photography. It’s a great resource if planning a trip. www.photographamerica.com Well worth the price.
WATER
Animals require 3 key things for survival, food, water and shelter. Therefore areas that provide these elements attract wildlife add offer photo opportunities. They are also good locations to place photo blinds (later discussion). For example, a pond or spring in an arid area can draw wildlife from great distances. On a ranch in south Texas I placed blinds (hides) near ponds that contained water during the hotter months of the year. At the end of the summer at Chincoteague NWR, water evaporates from the impoundments and waterways. Fish become trapped in the shallows where water remains and attract large numbers of hungry herons, raccoons, and other wildlife. Similarly, during the dry season in the wetlands of Brazil(the Pantanal) http://www.pantanal.org/Mainpant.htm, completion for food becomes fierce and animals become more visible as the water disappears.
Coatimundi drinking at pond in Mexico.
Roadrunner drinking at small pool of water during drought in South Texas.
Deer drinking in one of the few ponds with water on a ranch in south Texas.
Bufflehead in channel at Chincoteague, VA
FOOD
A reliable source of food will attract wildlife. Ripening seeds, acorns, crab apples, and fruit will attract monkeys, bears, and squirrels, as well as songbirds and other bird life. The upwelling of nutrients and food caused by strong currents such as those off the southern tip of South America attract marine life and provide food for whales, seals, sea lions, and penguins as seen in the Falkland Islands. The protected waters around Peninsula Valdes in Argentina offer shelter to elephant seals, southern sea lions, penguins, and calving southern right whales and attract photographers from around the world. But you don’t have to go to exotic places to attract and photograph wildlife. In your own backyard you can put out feeders with seed or suet, add a source of water and include an interesting perch nearby so you can capture images in what appears to be a natural setting.
Squirrel storing nut for the winter.
Chickadee feeding on berries.
Giant River Otter eating fish in the Pantanal.
Great Blue Heron with fish.
Rose-breasted Grosbeak at bird feeder.
FAVORITE PERCHES
Birds such as kingfishers, cormorants, and kiskadees often dive for fish from the same perch and return there to consume their fish offering excellent opportunities for photographs. Turkeys, vultures, snail kites, and other birds often roost in the same location each night. These are perfect places to stake out with your camera.
Kiskadee fishing from favorite branch.
Thick-billed tern perched on pole preening and fishing.
Belted Kingfisher fishing from its favorite perch.
DUSTING AREA & MINERAL LICKS
Mineral licks are also great places to photograph wildlife. At Custer State Park, SD http://gfp.sd.gov/state-parks/directory/custer/ buffalo, mule deer, and pronghorn frequent these bare patches of ground rich in minerals and nutrients. These spots are easy to recognize by the reddish color of the dirt. Other locations where animals return repeatedly are dusting areas, sections of bare ground and loose dirt where “wild burros”, buffalo, guanaco, horses, road runners and other animals kick up and roll in the dust to rid themselves of pests.
Burro dusting in Custer State Park, SD
Elephant seal throwing sand perhaps to cool off.
ICE, ROCKS & ISLANDS
If on a boat in Alaska, ice flows area good areas to look for seals. Round Island is prefect if interested in photographing walrus.
Walrus warming in the sun on Round Island.
by Osprey Photo Workshops & Tours | Jan 17, 2015 | Digital Photography, Nature Photography, Photo Technique, Photo Tours, Photo Workshops, Travel, Wildlife, Wildlife Photography
LOCATIONS (PART 4)
Several of the best locations to photograph wildlife are ones where the animals are acclimated to the presence of people or vehicles. These include county, state, and national parks, wildlife refuges & sanctuaries, and eco-friendly ranches (South Texas & South America). In terms of wildlife refuges, I tend to favor those with roads that run along the dikes that separate the impoundments. Parallel to the roads are ditches that typically hold water even when the other ponds are dry and therefore attract wading birds and other wildlife. If these channels are close to the road and vegetation does not block the view, photos of the animals can be taken easily from the car. The vehicle serves as a mobile blind that allows you to move along with the subject and adjust your angle of view and distance. To photograph out the car window, I place the telephoto lens on one or two large home-made bean bags filled with rice which I place on the window sill. You can also purchase bags from Lens Coat http://www.lenscoat.com , Birds as Art https://store.birdsasart.com or other suppliers. Two of my favorite wildlife refuges that are perfect for this style of shooting are Chincoteague NWR and Bosque del Apache NWR. http://www.fws.gov/refuge/chincoteague/ & http://www.fws.gov/refuge/bosque_del_apache/
PHOTOGRAPHY FROM A VEHICLE
Snow goose, shot from the car on the Loop Rd. @ Chincoteague. NWR, VA
Mallard family in a row. Shot from the car in Chincoteague NWR, VA.
Northern Harrier consuming a duck. Shot from rental car in Bosque del Apache, NM.
PRIVATE RANCHES
Eco-friendly ranches that protect native species and habitat such as those in South Texas, Argentina and Brazil often cater to photographers. These offer excellent opportunities to photograph from vehicles, blinds, or even on foot. (Discussion of blinds in later blog)
Rosette Spoonbill feeding in pond on private ranch in Texas. Photographed from a blind.
Caiman resting on bank at private ranch in Argentina.
Photographed late in the afternoon on Sea Lion Island in the Falkland Islands
HIKING
Photographing while randomly hiking in your local woods often fails to provide satisfactory result. The animals flee before you are within shooting distance. However if the habitat attracts wildlife and the animals are protected, they sometimes become acclimated to seeing people on foot . Corkscrew Swamp http://corkscrew.audubon.org and Six Mile Cypress Slough Preserve in South Florida with their boardwalks are often worth a visit as well as Loxahatchee NWR. Hiking in other locations such as Yellowstone NP, Glacier NP, and the Badlands of South Dakota can also be productive particularly if your subject is initially spotted from the road. (See stalking techniques in later blogs).
Great Blue Heron shot while I was walking along a ditch filled with water in Chincoteague NWR, VA
Raccoon photographed while walking along one of the ditches at Chincoteague, VA.
Capuchin Money. Photographed while hiking along trails on hotel property near Bonito Brazil. Semi tame since food is readily available there.
DANGER
When hiking in remote areas, care must be taken not to surprise a grazing buffalo, bear, moose and other large mammals. Even though they may be in national parks or reserves they are still wild and potentially dangerous particularly if their young are present or if it is mating season. When photographing such animals, use long lenses to keep a safe distance from them and to isolate the subject. Approach slowing and always leave them a means of escape. (See safety discussion in a later blog)
White-tailed Deer buck photographed at Canaan Valley, WV many years ago while meandering throughout the meadows in search of deer to photograph.
I was photographing a scene away from the car when I spotted this sow and cubs. I stopped and grabbed a quick shot. She bluffed charged me and I carefully retreated to my car a little distance away. The rest of my shooting was done with my 600 mm from inside the car. A black bear with cubs can be very dangerous.
While hiking I spotted two rams. I took my initial photos from a distance. When they resumed their original behavior eating vegetation and slowly moving through the field, I moved a bit closer to them making sure not to pressure the animals or block its means of escape. I spent nearly an hour following and photographing their activities. At times they eveny closed the distance between u without alarm.
More blogs coming covering other topics relative to wildlife photgraphy. Importance of food, water, and shelter plus timing next.
by Osprey Photo Workshops & Tours | Jan 10, 2015 | Nature Photography, Photo Technique, Photo Tours, Photo Workshops, Wildlife, Wildlife Photography
SPOTTING WILDLIFE
SHAPES, COLORS, TONES
Spotting wildlife is a learnable skill. When visiting an unfamiliar area, my ability to see animals in the new habitat improves with time. I become sensitive to colors, shapes, and tones that are out of place in the new environment.
Burrowing Owl – Yellow Eyes
Eastern cottontail, Shape out of place
Badger, White stripes attract attention
Bighorn Sheep, easy to spot white rumps
MOVEMENT
When animals are highly camouflaged by their surroundings, they are more easily spotted when they move. This is ideal for spotting coyotes or grouse hidden by prairie grasses or herons blending in or hidden by reeds.
Coyote hiding in grass
Yellow-crowned Night Heron, feeding on crabs. Most of the time hidden in grass.
American Bittern, When facing forward and pointing the bill skyward, bird is nearly invisible appearing to be grass.
Ghost Crab. Camouflaged with coloration that matches the sand and reflects light keeping it cool. Hard to see until it moves.
SOUND
Characteristic bird calls such as those from an osprey or kingfisher, courtship songs, screams of alarm or distress, rustling brush, spouting whales, the rattle of a rattle snake, splashing water, etc. Just listen.
Sandhill flying to join group, call got my attention
Prairie Rattle Snake
Prairie dog barking a warning brought my attention to the colony.
Osprey, Easily recognized high pitch call
Roadrunner courting. Call woke me from mid-day siesta.
HABITS & PATTERNS
Animals repeat behaviors and knowing the patterns can give you an edge photographing them. When I see an animal in the same area at about the same time each day, I know there is an increased chance I will encounter it again in the same region and hopefully this time with a camera in hand. If a heron is fishing in a pond, does it move in a predictable manner where you could photograph it as it moves or pre-focus at a point where it will cross? Does a heard of pronghorn or elk meander in a consistent direction where you could adjust your movements to intersect their path?
Sanderlings running along edge of surf
Black Skimmer, fishes in shallows often following bank
Pronghorn, herds often move in a particular direction. Anticipate where they are heading and move to intersect their path. Don’t walk directly towards them.
More to come about photographing wildlife in future blogs.
by Osprey Photo Workshops & Tours | Dec 19, 2014 | Fun Photos, Photo Technique, Photo Workshops, Wildlife
UPCOMING PRESENTATION: Camera Clubs & Conferences
“A Passion for Wildlife Photography, The Stories Behind the Images”
by Irene Hinke-Sacilotto
Based on my more than 30 years’ experience photographing birds and other animals, this program covers the knowledge, strategies, techniques, and equipment required to capture professional images. Includes interesting insight into Irene’s motivation for pursuing wildlife photography. I will cover methods for locating, attracting, and approaching animals along with prime locations for wildlife photography, the use of photographic blinds, and stalking techniques. Includes images and experiences from my recent trip to Brazil’s Pantanal, one of the world’s largest tropical wetlands.
CLUBS & DATES
St. Mary’s County Camera Club, 4 Feb 2015
Fairhaven Comcam, 13 Feb 2015
Florida Camera Club Conference – 6-8 Mar 2015
Churchville Camera Club, 6 Apr 2015
Ocean Pines Camera Club, 11 May 2015
Berks Photographic Society’s 2015 Photography Conference, 5-7 Jun 2015, www.berksphotocon.com
OLLI photo club (Fairfax Co.), 10 July 2015
Carroll Camera Club, 20 Jul 2015
New Clubs Welcomed
by Osprey Photo Workshops & Tours | May 14, 2013 | Digital Cameras, Nature, Photo Technique, Wildlife
Heading upstairs at a friend’s house, I looked out the large window facing the backyard and spotted two squirrels rolling around in a ball on the grass. I was fascinated by their antics but was skeptical that I could get shots of the action. I took a chance and I ran back downstairs and grabbed my Nikon D4 camera fitted with the newer 80-400 mm lens. To avoid detection and disturbing the action, I had to shoot from inside through glass, a technique that typically results in less than satisfactory results. Luckily the pane was clear and recently cleaned. I removed the lens shade and moved the lens face close to the window to avoid reflections. Since the squirrels were in moderate shade, I had to increase my ISO to 1250, an ISO easily handled by the D4. See the results here and in a small album on Facebook.com/ospreyphotoworkshops
