by Osprey Photo Workshops & Tours | Apr 8, 2017 | Flower Photography, Garden Photography, Longwood Gardens, Nature, Nature Photography, Photo classes, Photo instruction, Photo Technique, Photo Workshops
Photography at Longwood Gardens
in the conservatory
and for similar conditions elsewhere as in a greenhouse
Close-up Photo Tips
Next photo workshop featuring flower photography – 14-15 April at Norfolk Botanical Garden. For info, see my website www.ospreyphoto.com or http://norfolkbotanicalgarden.org To register call (757) 441-5830
Introduction to Photography at Longwood Gardens
A legacy left by Pierre du Pont, Longwood Gardens consists of over 1,077 acres of indoor and outdoor gardens with fountains, reflecting pools, flower beds, woodland trails, and meadows. Located near Kennett Square, Pennsylvania, in the Brandywine Creek Valley.
The 4-acre indoor Conservatory of Longwood Gardens houses plant displays that are varied throughout the year. It is divided into climate-controlled rooms representing various climates and plant species from around the world. My favorite is the orchid room, filled with species from all over the world, varying in color from red to black, with some shaped like lady slippers and others resembling insects. At any time during the year the display showcases 200–300 of the 6,200 orchids housed at Longwood Gardens.
Orchid Arch
Depth of Field (DOF) Issues
The more you magnify your image, the shallower the depth of field in the photo, i.e. the amount of scene that is sharp in front and behind the point of focus (1/3 in front and 2/3 behind). With high magnifications, you can increase the depth of field slightly by selecting a higher f-number (smaller lens openings) but with extreme magnification this may have only have a marginal effect. You may opt to use less magnification to gain depth and then crop the image during editing to exclude the unwanted surroundings.
A shallow depth of field is not necessarily a bad thing and can be helpful to isolate the subject and keep the background from becoming a problem by being well defined. Isolation of the subject in this fashion is particularly effective if the background is at a distance and you are shooting eye-level with the subject. But shallow DOF can be a problem if the subject you wish to photograph has depth and you wish to capture detail front to back.
Orchid – photo focused on internal parts
Flat Surfaces
When photographing patterns on a leaf or a group of multicolored leaves or flowers, you need to have the face of the lens parallel to the surface to have all portions of the scene within the DOF. To photograph from above a pattern created by a group of leaves or flowers, select a section of the scene where the vegetation is of nearly equal height and distance from the lens. A cell phone with built in camera can have an advantage here because it can be more easily positioned at the desired angle over the subject without the constraints of a tripod or the weight of a heavy camera/lens system.
Leaves shot with i-phone
Purple pattern
Manual Focus
Manually focusing your lens allows you to precisely select the part of the scene you wish to be sharp. With some lenses, manual focusing allows you to focus closer to the subject than when using autofocus. This slightly increases the magnification possible with that lens.
Stacking
George Lepp and others have used the technique of stacking to sharply capture each layer of a subject, controlling what is, and is not in focus. This requires taking multiple images of a stationary subject at different but overlapping points of focus and using software such as Helicon Focus. The technique can be used with macro and landscape subjects. For details, see George Lepp’s article in Outdoor Photographer Magazine. http://www.outdoorphotographer.com/tips-techniques/photo-editing-tips/unlimited-depth-of-field/
Orchid Pair
Distracting Backgrounds
It is easy to be caught up with the beauty of a flower or other subject that you ignore obvious distractions in the background. For a photograph to be successful, it is important that the viewer can immediately identify the subject. Anything that directs the eye away from it should be avoided. Such distractions can be particularly troublesome in the conservatory on sunny days. Carefully examine the image in your viewfinder looking for bright or colorful vegetation behind the subject, shiny objects, lights, hot spots from sunlight striking the background, shadows from overhead struts supporting the greenhouse glass, and object appearing to grow out of your subject. If close to your subject, make sure your own shadow is not falling on a portion of it.
Because of the shallow depth of field common with high magnification, you may have a difficult time recognizing distractions behind the subject. One trick to avoid this issue is to temporarily shift the focus of the lens from your subject to the background in search of potential problems – bright areas, shiny objects, strong forms, bright colors, etc. Note possible distractions and then refocus on the subject, keeping these observations in mind. If necessary, move or recompose your image to avoid the offending items.
Jonquil
Visualization
Take the time to visualize your final results. When approaching a subject, always identify what drew you to it initially. Was it its color, abstract patterns, shape, texture, etc. Consider the best lighting and depth of field to emphasize these features. Adjust the f-stop and position the camera accordingly.
Light
Low light can be an issue in the conservatory in areas heavily shaded or on overcast days. High ISO settings on your camera may be required so select your camera that has the best response under these conditions. With many cameras, ISOs higher than 400 are accompanied by noise that reduces image quality and appears as random specs of color and/or something similar to film grain. In your shooting menu, you may have special settings to improve performance at high ISOs or when using slow shutter speeds. Turn them on but don’t forget to turn them off when conditions change. Avoid under exposure since noise becomes more evident as you lighten the exposure. Noise is the most noticeable in dark areas of the image and if the image is underexposed. Editing programs such as Adobe’s Lightroom and software plug-ins provided by Nik and Topaz can help reduce the appearance of noise without compromising image sharpness.
Playback Display Options
In your playback menu on your camera select display options that help you recognize exposure problems. Turn on the histogram and highlight indicator that shows where the image is overexposed and detail lost.
Wires and Sticks
Plants on display are often supported by wires or sticks, so try to avoid capturing them in the photo. This may require changing your shooting angle or magnifying the subject to better isolate the most interesting aspects of the plant. Consider using an editing program such as Adobe’s Lightroom, Photoshop Elements or Photoshop CC to remove the offending object using clone or healing brush tools. In the Lightroom program, you can also use the adjustment brush to lighten or darken areas, open up shadows, and control contrast, sharpness, saturation, etc. The spot removal tool can be used to cover problem areas.
Have fun. The orchid image below was oversaturated intensionally during editing for a bazar artistic effect. I struggled to keep a window sill out of the photo so I avoided it by filling the frame with the subject.
Orchid – High Saturation
Spot-lighting
If the subject is in the sun or is back-lit and background is busy, search for an shadowed area that can be positioned in the frame behind the subject. If no natural shadow is present, have a friend cast a shadow over the offending area or create one of your own.
Polarizer Filter
Mounting a polarizer on your lens can remove reflections from the surface of leaves, water, windows, and make the sky appear bluer. To use one, rotate the outer ring until you remove the offending glare. However, they remove a component of light resulting in slower shutter speeds for the same f-stop, There are warming polarizers that some people prefer to reduce the blue in the image.
Orchids part of Orchid Arch
Lenses
There are applications for any lens from wide angle to telephoto in the garden; however, for flowers close-ups, macro lenses are the most versatile. They are designed for high magnification and are extremely sharp edge to edge with low image distortion. Compared to a standard lens, they able to focus on subjects at a closer distance and thereby magnify the image. Many can reach a magnification of 1:1without accessories. They come in different focal lengths with the 105 or 200 mm lenses being my favorite. The shorter lens has vibration reduction and is easier to handhold but I prefer to use a tripod for stability when possible. The longer focal length lens has a narrower angle of view making it easier to alter the background with slight shift in position. They also offer a greater working distance from the subject. This helps prevent your shadow falling across the subject. Also with live subjects, the greater working distance increases the chance that the subject will not be alarmed and not flee. With a dangerous subject, the extra room provides a safety zone. My 200 mm Nikon Micro-Nikkor lens comes with an adjustable collar around the lens so you can mount the lens on a tripod directly, providing better balance and stability. The collar (see image below) also allows you to easily rotate the camera orientation from horizontal to vertical or in between without having to adjust the tripod or detach the camera from the tripod. The down side to macro lenses is that they are more expensive than standard lenses.
Macro-Zoom lenses have the ability to focus closer to the subject than a standard lens but often they do not have the magnification power of a “true” macro lens and the image quality is often not as good. But they do offer a lot of versatility from one lens.
Colar for 200 mm macro lens
Extension Tubes & Close-up Filters
As an alternative for close-up photography, consider purchasing a less expensive set of hollow extension tubes (see image below) that fit between the lens and camera body and allow you to focus closer to your subject than with the lens alone and thereby increase magnification. With no glass involved, the images obtained are quite sharp. Another low-cost alternative is using close-up filters that mount on the front of your primary lens. The resulting images are not as sharp as with the other options but are suitable for aesthetically pleasing images. A tele-converter can also be useful when you cannot get very close to your subject. They increase the magnification of your primary lens without changing your position.
Extension Tubes
Movement Issues:
When using high magnification, movement of the subject or camera is exaggerated and can be detrimental to image quality particularly when using slow shutter speeds. Tripods and monopods help you steady the camera. They are allowed in the garden most of the year but their use is limited in the conservatory. You must obtain a permit to carry it at the info desk near the main entrance to the gardens (Some conditions apply for use, so see Longwood’s web site for guidance). Tripods are not permitted during times of high visitation, particularly during the Christmas season. They can only be used in the conservatory until noon and cannot be used in the Children’s garden. Be considerate of other visitors since the narrow paths can become quite crowed as the day progresses and for popular exhibits.
Hybrid Lilly
More on Tripods
Tripods are useful for more than serving as a stable platform for the camera. With the camera supported on a tripod, it is easier to carefully examine the image in the viewfinder and on the LCD screen for issues related to composition, image sharpness, or background distractions. In the playback mode, consider using your camera’s magnifier for more critical view of image sharpness and depth of field. I frequently use a Hoodman or similar loupe over the LCD when reviewing images in the field. It excludes external light so you can more accurately judge what was captured.
It is wise to invest in a good tripod suited to your needs. Those with legs made with strong carbon fiber are lighter and easier to transport. If you have the opportunity, take your heaviest camera and lens to a pro camera shop such as Service Photo in Baltimore and test various tripods with your set-up. Using an unsteady, cumbersome tripod can be worse than using none at all. I recommend using a ball head mounted directly on the tripod for most applications.
At times, using a tripod can stifle creativity. Often you mount the camera on the tripod, walk around the subject a little, plant the tripod in one spot, and never move it again. Try exploring camera angles without the camera mounted on a tripod. Once you have decided on the best approach, they add the tripod for support.
Orange Stamens
Unwelcomed air movement
Be sensitive to subject movement caused by environmental conditions. The conservatory’s fans, that help regulate climate conditions in each room, circulate air and create drafts that can cause leaves and flowers to move during exposure. Similarly the movement of people passing nearby or opening a door can also generate an unwanted breeze. Be aware of the potential problem and wait for a lull in the motion before taking your photo. To maintain a still camera when taking a photo, use an electronic cable release.
Mark & Adam
More Than Just Flowers
Flowers are photographically intriguing but don’t ignore the garden’s water features, the conservatory’s architecture, and aspects of the plants other than the blooms (the leaves, buds, seeds pods, vines, fruit, etc.). Since the conservatory is quite large, I suggest deciding on specific goals for your visit, perhaps specific rooms, flowers, or techniques. Have fun and experiment with unusual camera angles, abstracts designs, or special effects created by intentional camera movement. Visit local gardens, your own backyard, a nearby meadow, or even a florist shop to improve your skills and creativity.
Tile in Children’s Garden
Umbrellas Suspended from Ceiling
Art Deco Decor in Ballroom of Conservatory
by Osprey Photo Workshops & Tours | Apr 7, 2017 | Badlands, Badlands National Park, Landscape Photography, Nature Photography, Photo Tours, Photo Workshops, Scenic Photography, South Dakota, Wildlife Photography
South Dakota Badlands
Badlands National Park
Article on Outdoor Photographer website by Irene Hinke-Sacilotto
Site of June Photo Workshop with Sandy Zelasko & Irene Hinke-Sacilotto
Hikers at Sunset
Badlands National Park is a terrific destination for landscape and wildlife photographers. It is the location of my June 2017 photo workshop, co-lead by Sandy Zelasko. The park is a convenient hour drive east from Rapid City on Interstate 90. North of the Pinnacles Entrance lies the town of Wall where you can find accommodations and other amenities. Near Cedar Pass, at the eastern end of the park, there are campgrounds, cabins, and a few other places to overnight.
Banded sandstone formations
Badlands National Park Geology
Once the site of an ancient sea, the South Dakota Badlands have been transformed over thousands of years by wind and rain into the land you see today. Layers of sediment and ash eroded away leaving behind a rugged landscape with red and tan banded buttes, jagged escarpments with narrow gorges, and brightly colored yellow mounds. In the north unit of the park, there is a thirty-mile scenic loop road that meanders past unique geological formations. Along the way, there are convenient vehicle pull-offs, overlooks, and trails to explore.
Bighorn Sheep Ram.
Wildlife
At first glance, the land seems sterile, dry and wind-swept. Yet close examination reveals a variety of creatures including 39 mammal species. Bighorn sheep, pronghorn antelope, mule and white-tailed deer, bison, prairie dogs, coyotes, badger, jack-rabbits, cottontails, thirteen-lined ground squirrels, chipmunks, and fox squirrels make this park their home. If lucky, you might even spot the rare black-footed ferret, a species reintroduced into the area. Birds include hawks, eagles, magpies, meadowlarks, northern flickers, sharp-tailed grouse, turkey, and pheasant, just to name a few. Wildlife can be easily spotted from the road and are not as timid as elsewhere, due protection by the park service. Search picnic areas and campgrounds for photo opportunities including local free-loaders, such as magpies, squirrels and other foraging animals looking for food scraps and handouts.
Badlands Loop Road
Photo Opportunities
From the town of Wall, it is only a short drive to Pinnacles Overlook, a favorite of visitors for sunrise and sunset photography. Watch as the light slowly creeps across the landscape, illuminating and darkening sandstone formations in the distance. As you head east from Pinnacles Overlook towards Dillion Pass, the loop road travels through some of the most dramatic landscapes revealing yellow mounds in the foreground and jagged peaks behind. At Dillon Pass, you can take the Conata Road south through Buffalo Gap National Grasslands, a tiny remnant of the prairie that once covered huge expanses of land in North America and Mexico. If you climb east on Badlands Loop Road, you will reach Rainbow and other overlooks for great opportunities to photograph the “wall” that separates the lower and upper prairies. At every turn along the road, the topography changes, offering even more photo ops. Storm clouds can add drama to your photos filling up an empty sky and casting shadows across the landscape resulting in alternating patterns of light and dark.
Moving Shadows
Black-tailed prairie
dog
Black-tailed prairie dog towns can be found throughout the park and their occupants are among my favorite subjects to photograph. During our recent scouting trip, we determined one of the best colonies for photography was along Quinn Rd, a dirt road running north off of the loop road where traffic was sparse and there was little disturbance. Here the prairie dogs were more tolerant and allowed us to photograph them at eye level from outside of our vehicle. It was nearly impossible to predict which animal was going to pop out of its burrow and “bark” an alarm call. For the best chance of capturing one barking, carefully observe the colony looking for individuals that seemed more vigilant and concentrate your attention on them. Since the alarm call suggests the presence of danger, be on the lookout for coyote or other predators nearby.
There are a number of trails that you can explore throughout the park for unique photo opportunities. They vary from easy to strenuous in difficulty. Always carry plenty of water. Take time to stop in at the Ben Reifel Visitors Center to learn more about the park, check weather forecasts and ask rangers for up-to-date information on recent wildlife sightings.
Bighorn sheep along Sage Creek Rim Road
Don’t skip Sage Creek Rim Road, a well-maintained dirt road heading southwest and accessed just after the Pinnacles Entrance to the park. Beautiful vistas abound as you glance left (south) near the roads entrance. Rust-colored mounds with deeply furrowed patterns dominate the foreground. In the setting sun, they almost glow red with the reflected warm light. Check out the areas with prairie grasses and browse for bison, antelope and bighorn sheep. At dawn, you may be able to silhouette one of these animals on a ridge against the rising sun. Roberts Prairie Dog Town is a popular stop to see prairie dogs. Often an abundance of visitors fright them back into their burrows making this location not ideal for photography. I suggest looking farther down the road for better opportunities. On the fringes of the colonies, look for coyote and badger which sometimes hunt as a pair.
Stalking Coyote
Also check out woody draws where there is enough moisture to support shrubs, trees, and other plants. These sheltered areas are often havens for fox, deer, rabbits, squirrels and other wildlife. In autumn, these groves of trees add a splash of color to the dry landscape with leaves of yellow and gold. Be careful when stepping off trails. Burrows and prairie rattlesnakes might be concealed beneath the grass. Wear sturdy boots to negotiate uneven terrain and protection against cactus spines.
Fall color
Approaching & Photographing Wildlife
Make note of where you commonly see animals and check these locations on subsequent trips past the area. Photographing wildlife often relies on the animal accepting your presence as non-threatening. That means patience is important. Stalking tips: Move slowly, emulate their behavior, stop periodically, take an indirect route to close the distance, assume a low profile, and avoid direct eye contact. Minimize loud noises, perfumes, or anything not typically found in their environment. Camouflage clothing can help you merge with the surroundings and avoid curious human on-lookers from approaching you.
Pronghorn at rest
When photographing, make sure you do not disturb the animal’s behavior. If it reacts, stop and wait before resuming your approach. Curiosity may even bring them closer to you. Never block an animal’s means of escape or stand in their path. Just because they are in a national park, wildlife is unpredictable and can be dangerous particularly if traveling with young. Obey park regulations. Don’t feed wildlife.
Bison Scratching
Suggested equipment:
- DLSR camera with good response in low light at high ISOs
- Lenses from wide angle to telephoto. (My 200 – 500 mm Nikon zoom lens was handy when I needed to react quickly to wildlife subjects.)
- A matching tele-converter
- A macro lens if you enjoy close-up photography
- Large bean bag to support your camera when photographing from a vehicle
- Sturdy tripod mounted with a ball or gimbal head.
Yellow Mounds Near Dillon Pass
Check out the upcoming Photo Workshop 4-9 June, 2017 with Irene Hinke-Sacilotto & Sandy Zelasko. www.ospreyphoto.com
Meadow Lark Singing
Eroded Landscape
by Osprey Photo Workshops & Tours | Mar 4, 2017 | Digital Photography, Nature Photography, Photo classes, Photo instruction, Photo Tour, Photo Tours, Photo Workshops, South Dakota, Travel, Wildlife Photography
Badlands National Park Spring Escape
June 4 – 9, 2017
With trip leaders – Sandy Zelasko & Irene Hinke-Sacilotto
SOUTH DAKOTA – Photography Tour
sponsored by
in conjunction with
“Eat more flowers”
INTRODUCTION
During this South Dakota photo tour, we will explore Badlands National Park and locations in the vicinity. On most days, we will be in the field at dawn to take advantage of the early morning light. Likewise, we will end each day’s activities at sunset. When the sun is low in the sky, the light accentuates the relief and texture of the land. Colors are warm and the contrast soft, so details are not hidden by the dark shadows present at noon-time. At dusk and dawn, animals are more active and easily located. We will reserve mid-days for rest, reflection, image transfer, and travel between locations. There will be a variety of photo opportunities, including both scenery and wildlife.
Badlands Formations
BADLANDS NATIONAL PARK, SOUTH DAKOTA
Once the site of an ancient sea, the South Dakota Badlands have been transformed over thousands of years into the land you see today. Layers of sediment and ash were eroded away leaving behind multi-colored rocks and boulders balanced on pedestals of stone. Eroded canyons and isolated buttes stand as testament to the power of the wind and rain. At first glance, the land seems sterile, yet close examination reveals a variety of creatures. Agile bighorn scale steep canyon walls. Pronghorn and buffalo graze on the succulent prairie grasses while hawks circle overhead. A loop road travels through the northern portion of the park providing easy access to unusual geologic formations and favorite wildlife haunts.
An active prairie dog town lies along Sage Creek Rim Road. The colony’s occupants are enjoyable to watch and photograph as they groom, nibble on grasses, and romp playfully with their siblings. Now and then a shrill alarm call ripples across the colony warning of a potential intruder — perhaps a badger or coyote in search of a meal.
South of the Sage Creek area in the second unit of the park is Sheep Mountain Table. At the base of the plateau are formations with rocks balanced on limestone pedestals. A rough dirt road climbs to this high, flat plateau which is isolated from the surrounding terrain by deeply cut canyons. On top, the views are spectacular. Dirt roads extend like fingers to a variety of vantage points on the rim of the table. (access is dependent on road conditions at the time)
Wild Turkey
Bighorn Ram
by Osprey Photo Workshops & Tours | Jan 16, 2017 | Autumn photography, Fall photography, Nature, Nature Photography, Photo Tour, Photo Workshops, West Virginia
Southern West Virginia Photo Opportunities
On 14-16 October 2016, I held a weekend photo workshop in Southern West Virginia in the vicinity of the New River Gorge, using the centrally-located town of Beckley, WV as my base of operations. Typically this is a good time to photograph fall color in this mountainous region but this year had been drier and warmer than most. Leaves were just beginning to turn autumn colors and there was more brown than gold. But no mater what the conditions, you can always find great photo opportunities locally. New River Gorge National River, a part of the National Park System, protects 53 miles of the New River and covers 70,000 acres of the surrounding area.
The following is a summary of locations with photographic potential based on my observations during scouting trips to the area and this year’s and past photo workshops.
New River Gorge Rim Trail & Bridge
The New River Gorge Bridge is the longest steel span bridge in the western hemisphere and is the third highest in the U.S. The nearby Canyon Rim Visitor Center provides an overview of the area and nearby trails provide views of the bridge. Just north of the visitor center, off of route 19, is Lansing-Edmond Road, a narrow winding road that leads to trails accessing the canyon rim. From the Fern Creek Trailhead Parking lot, it is a relatively easy hike to the rim of the canyon where you can photograph the river, bridge, rafters, and the walls of the canyon. Diamond Point is one of the more popular overlooks, but there are numerous others that can be explored as well.
New River Gorge Bridge emerging from fog.
Cell phone shot of a mushroom along the trail to the canyon rim.
Babcock State Park and Glade Creek Grist Mill
The park is approximately an hour drive from Beckley, WV on back roads. I typically time my travel to arrive shortly after sunrise. This year mill’s water wheel was not turning due to damage caused by a severe flood in June. It is more likely to be operating in the spring when there is more water flowing in the adjacent creek. As with most of the locations visited this fall, the color of the surrounding trees was not intense, However the mill with the falls below still presents a number of interesting photo opportunities from both sides of the creek. Soft light is best at this location since on a sunny day as the sun moves higher in the sky, the contrast between the trees surrounding the mill and waterfalls intensifies. During this visit, I looked for subjects other than the mill to photograph, such as softly lit sections of the creek and colorful reflections in the water.
Glade Creek Grist Mill.
Glade Creek Grist Mill. Photo taken a number of years ago with better fall color.
Reflections in puddles from surrounding trees. Falls at Glade Creek Grist Mill, Babcock State Park.
Sandstone Falls
Sandstone falls is the largest waterfall on the New River. Located at a wide point in the river where it is divided by a series of islands, the river drops 10 to 25 feet. A boardwalk with overlooks span the waterways and offer a number of views of cascades and main falls. The first overlook is my favorite, where there is a series of small falls fanning out in a horseshoe shape. There are places to photograph both from the boardwalk and river bank. Access to the higher upper falls is not always possible dependent on the water level.
To reach this section of the National Park, go to the small historic town of Hinton where you cross the New River and travel parallel to its path until you reach the park. (Approximately a one-hour drive from Beckley.) A neutral density filter will enable you to slow shutter speeds for an artistic presentation of the water’s flow. These filters are neutral gray and reduce the amount of light entering the lens. Some are variable in strength and therefore are more versatile. Remove your UV filter before mounting these or a polarizer on your lens Besides extra layers of glass that can soften your image and contribute to flare, when using a wide-angle lens, vignetting of the image can occur (darkening in the corners of the frame). Each time I have visited the park, photographic opportunities differ. As I was leaving the area this time and heading back to Hinton, I noticed the backlit spray of water from the main falls and foreground trees and took the photo below.
Intrigued by the backlit spray from sandstone falls and the foreground trees, I could not resist taking this photo.
The above photo was taken by one of my 2016 workshop participants, Gary Carlton. He used a variable neutral density filter to for the first time to blur the movement of the water. Pleased with the results, he submitted this image during the critique portion of the program.
New River downstream from the main falls photographed with a slow shutter speed.
Foggy morning at Sandstone Falls.
Hawks Nest State Park
Hawks Nest State Park offers views of the New River from the side of the river opposite from the Canyon Rim visitor’s center. From Hawks Nest Lodge and overlooks from further down Route 60, there are interesting views of the river and surrounding mountains from a high vantage point. Also there is an aerial tramway to transport you from the lodge to the river below. When you reach the bottom jump off point, you can cross a small bridge and following an easy trail upstream to Turkey Creek Falls. Along the way you can capture photos of the trees gracefully overhanging the river, mushrooms, and wildflowers. Just before the Hawks Nest Dam, you reach a small bridge crossing the creek at the base of the falls. From the bridge and rocks below the falls, you have a good vantage point for photos. The best images of the falls have been taken in the spring when the flow of water is greater. During my visit this October, the flow was minimal.
Shot with the cell phone below Hawks Nest on the trail to Turkey Creek Falls. I used it to show workshop participants photo possibilities along the path to the falls.
Cathedral Falls
If you continue driving down Route 60 from Hawks Nest State Park, just before the town of Gauley Bridge, you will see Cathedral Falls on the right side of the road. Best photographed with late afternoon light. When the sun is high in the sky, there is too much contrast from the upper part of the falls to the base for a good exposure. I recommend using a telephoto lens to isolate portions of the falls, a 80 – 400 mm or 70 – 200 mm zoom lens. On the day of this year’s photo workshop, I spotted a rainbow reflecting in a portion of the falls. It would appear and disappear depending on where one was standing and only lasted for a brief period of time. Several workshop participants got great shots of the phenomena. During my scouting trip, the sky was slightly overcast and the rainbow was not present. But I still was able to capture the etherial beauty of the falls by isolating a section and using a slow shutter speed. Note: Typically I do not photograph with workshop participants during a weekend program, preferring to direct all my attention to helping them achieve the best results possible.
Cathedral Falls in soft light. The most beautiful portion of the falls captured with a telephoto lens.
Kanawha Falls
A short distance down Route 60 from Cathedral Falls is the small town of Gauley Bridge which provides access to the river for photos of reflections in the flowing water and of geese along its bank. Just southeast of Gualey Bridge is Glen Ferris where Gualey River and New River converge. Here you will find Kanawha Falls adjacent to a hydroelectric station. From a trail used by fishermen parallel to the main road, you can isolate a portion of the falls with a telephoto lens and exclude any evidence of the power plant. As an alternative, you can photograph the aging brick power station for a graphic image.
Kanawha Falls photographed with telephoto to isolate falls from its surroundings
Town of Thurmond
The historic town of Thurmond was once an active railroad town like many located along the New River. It can be reached off of Rt 19 at Glen Jean Exit north of Beckley. A narrow winding road leads to the town following a stream that cascades down the mountain. On the way down, there is a pull-off that provides relatively easy access to photograph one of the larger cascades.
At the base of the mountain, you reach the historic town of Thurmond by crossing an old narrow railroad bridge that spans the river. Ahead you will see a parking lot and railway station renovated by the National Park Service and serving as a Visitors Center. What makes this location special is that railroad tracks run through the center of town. Today only a few buildings remain from the past. However with a wide-angle lens, the train tracks create great lines leading into the frame. If you are there at the right time, you may be able to photograph a train as it approaches. Watch the signals above the tracks for an indication that one is on its way.
Railroad tracks at Thurmond.
Cascade on way to Thurmond.
Grandview, part of the New River Gorge National River, NP
Grandview lies within the National Park and provides views of the horse-snapped section of the river from 1400 feet above. In the early morning interesting shots can be obtained as the fog slowly lifts from the canyon floor revealing the river below. A trail follows the rim with a few small overlooks which are partially blocked by vegetation. Another overlook farther along the canyon wall is Turkey Spur. Steps lead to viewing platforms, but this year the upper level was closed due to fire damage. In May and June, I understand the area is quite beautiful with blooming rhododendron along the trails. This year there was little fall color but I did take an abstract photo of the forest by zooming my lens during a slow exposure. As I exited the park, I grabbed this photo of a white-tail deer.
Deer photographed just outside of Grandview.
Fall color at Grandview captured by zooming my 70-200 mm lens with my camera set on a slow shutter speed.
Fayetteville Station Road
The 100 year-old Fayetteville Station Road once regularly traveled before the modern New River Gorge Bridge was built in 1977. Access to the road is off of Rt 19 by turning right on Lansing-Edmond Road, near the Canyon Rim Visitors Center. Once on this narrow road, turn right at the sign “Fayette Station Road” and immediately take the left fork. This road is a very narrow with hairpin curves and sections that are only open to one-way traffic. It passes under the current bridge twice, offering unique views of the steel structure. Also it provides access to the banks of the New River, several small waterfalls, and Kaymoor trail which passes a historic coalmine site. The road is worth the drive but is closed to traffic during Bridge Day weekend when the New River Bridge is closed to vehicles an open to pedestrian traffic and BASE jumpers.
New River Gorge Bridge’s steel structure photographed underneath on Fayetteville Station Road.
By selecting sections of the bridge’s iron work, you can create interesting abstract photos.
Nuttallburg Town
Nuttallburg was one of a number of bustling coal mining towns along the New River. The abandon townsite for years was concealed under the cover of trees and vines. It was recently restored by the park service and can be reached from Lansing-Edmond Rd by turning right in the community of Winona onto Keeneys Creek Road. This very narrow road descends into the gorge to a parking area. From here, trails lead to the foundations of buildings and remains of coke ovens that converted the coal into fuel. The most interesting aspect of the site is the coal tipple and conveyor that transported the coal from the mine up the mountainside down to the processing area and railroad below. On a bright sunny day, the scene is difficult to photograph without using HDR technology. The contrasty photo below was taken this fall at mid-day while scouting locations to determine which to include in my upcoming workshop.
Coal conveyor at Nuttallburg Town. The amount of contrast in the scene was high resulting in distracting deep shadows and burnt-out highlights.. It would be best to photograph this scene when the light is softer.
Side of the old tipple in Nuttallburg Town I was attracted to the colors, shapes, textures, and lines displayed by the wall and took this photo of the abstract design. The side of the building was shaded, perfect for this photo.
by Osprey Photo Workshops & Tours | Nov 6, 2016 | Autumn photography, Fall photography, Nature Photography, North Dakota, Photo Tour, Photo Tours, Photo Workshops, South Dakota, Wildlife, Wildlife Photography
NORTH AND SOUTH DAKOTA BADLANDS, Trip Report, September 2016.
While scouting locations with Sandy Zelasko and preparing for our spring workshop, we visited both the Badlands in North Dakota (Theodore Roosevelt NP) and the Badlands and Black Hills in South Dakota.
Badlands in North Dakota, Theodore Roosevelt NP.
The Badlands of THEODORE ROOSEVELT National Park (NP) in North Dakota were impressive but not as colorful as those in South Dakota. However some eroded formations were unique including spheres and other oddly shaped rocks balanced on top of ridges or embedded in canyon walls. My favorite subjects were the wild horses, which we encountered in several locations. In North Dakota, the wildlife was not as visible or easy to photograph as in South Dakota Badlands where we found bighorn sheep, pronghorn antelope, mule deer, prairie dogs, buffalo, turkey, grouse, and in the past, badger. From our modest but comfortable motel (Cowboy Inn) in the town of Belfield, ND, we were approximately a 20-minute drive from the southern entrance to the park and an hour from the northern segment. Both areas are worth visiting. However after comparing our experiences in both North Dakota and South Dakota, we decided that the best photo opportunities with a mix of wildlife and landscape photography was in the South Dakota Badlands where we will offer our next photo workshop in early June 2017.
Wild horse
Deer a field in North Dakota
North Dakota Badlands with slanted rock.
Buffalo at sunset.
A paved road loops through the 24,000 acre Badlands NP in South Dakota with scenic overlooks and traveling between the sharply eroded buttes, pinnacles, pedestals, and spires and undisturbed mixed grass prairie that characterizes the park. The badlands were formed from alternating layers of hard and soft rocks and soil. Easily eroded materials such as clay or mud-stone is topped by more resistant materials, such as sandstone, with the harder horizontal layer protecting the soft deposits. There are a number of hiking trails to provide a closer look at the unique geology of the region. North, Door and Window trails near the North East entrance to the park meander amongst the formations, for an up-close and personal look at the rocks layers.
Yellow Mounds
Red Squirrel
It s hard to pick a favorite location for photography within the park since there were so many sites to choose from. I loved the sulfur mounds and eroded formations near Dillon Pass and Conata Basin but was equally fascinated by the alternating tan and rusty bands of color from oxidized iron near Saddle Pass Trail. Southern views from Sage Creek Rim Road also offered great opportunities for landscape photography with deep ravines and colorful mounds eroded by wind and rain. Along the
gravel road is a good place to spot wildlife in and about Roberts Prairie Dog town. Buffalo, pronghorn, and bighorn sheep graze on the grasses while coyotes stalk unsuspecting prey. It was here I photographed a badger at close range during my last visit. Actually the best place this year for prairie dog shots was along a less traveled dirt side road running north as you head east past Contata Road and Dillon Pass. With little disturbance from traffic, the prairie dogs were more cooperative and allowed us to shoot belly down on the ground. More remarkable, along the same road, a coyote slowly walked towards our car and crossed the road in front us into the grassland paying little attention to the sound of our cameras firing off a burst of shots.
Bighorn Sheep
Sheep Mountain Table in the Southern Stronghold area of the park is worth a visit if you have a car with high clearance able to climb the steep dirt road that leads to the top of the mesa. It’s a peaceful place with few visitors where you can enjoy views in all directions from the high vantage point. On the Western edge of the Badlands on the way to the mesa from Sage Creek Rim Road, Scenic is a nearly abandoned town off the main highway that offers you a glimpse in the past with unique photo opportunities. Here you can photograph your friends behind bars in a historic jail or in front of the once lively Longhorn Saloon where steer skulls line the roof of the building. If you look hard at the sign on the face of the building, you will notice a somewhat disturbing message indicating who was welcome. If you look hard, the first word “NO” is painted over.
Eroded mounds at Sunset
GIGANTIC FIELDS OF SUNFLOWERS. On the first leg of the trip, Sandy and I explored the back roads from Rapid City to Belfield, ND, where we stayed while exploring the area. From there headed south to Wall and the Badlands of South Dakota. Along route 73 south of Lemmon and elsewhere, we discovered huge fields of sunflowers, much larger than any I have seen in Maryland. Although some flowers were past their prime, we stopped to take photos of several fields in prime condition with macro, telephoto, and wide-angle lenses. Surprised at the number and size of the fields, I checked the Internet to find that this area is one of the highest producers of sunflowers in the U.S. The seeds are used in the production of sunflower oil as well as for consumption by humans and birds.
Sunflower field
Marmot
It was 13 September, not a holiday weekend, when we entered the southern gate of CUSTER STATE PARK and encountered bumper-to-bumper traffic on the loop road. There were several tour vehicles with park visitors and accompanied by guitar-playing singers. Needless to say, this was not the environment I had remembered from past visits. Instead of the “wild” burrows grazing on the hillsides and dusting in areas devoid of grass, they gathered on the road, sticking their heads into car windows and begging for food. Also there were more fences than I remember from a previous trip limiting photography in certain areas, but we were told the fences were there to protect sensitive habitat from overgrazing. As we moved further along the loop road the situation improved. We did encounter a large herd of buffalo, lots of bluebirds, a few mule deer, bighorn sheep, and pronghorn. Our favorite areas were along the gravel roads that branched off the main route. Here there was little traffic and the rolling hills were beautiful particularly on the route that led into the backcountry of Wind Cave NP. We encountered buffalo, herds of pronghorn, and the possibility of seeing elk. We found photographing in Wind Cave National Park was more productive with pronghorn on hillsides, energetic red squirrels retrieving and storing pinecones for the winter, wild turkey, and mule deer adjacent to the road.
Needles Highway in the Black Hills not far from the town of Custer includes 14 miles of sharp turns, low tunnels and impressive granite spires. It is a good spot to look for mountain goats, which are known to frequent the high country near Cathedral Spires and Needles Eye Tunnel. They have even been photographed inside the tunnel licking minerals from the rock walls. With little time remaining on our scouting trip, we drove the highway one morning in search of goats but when a heavy fog engulfed the Needles, we could hardly see the car in front of us let alone spot their white coats. The highlight of the drive was witnessing a full sized tour bus carefully position itself and pass unscathed through Needles Eye Tunnel while the extended side mirror of a pick-up truck that entered before the bus scrapped the inside of the wall.
Tour bus
We made a short side trip to Spearfish Canyon on 16 September. We were a bit early for fall color in the canyon, which I had enjoyed on a previous trip. The waterfalls were impressive particularly Roughlock Falls. Bridal Veil falls had little flow and would have been more impressive if it was surrounded by fall color or snow covered trees. Spearfish Falls is near the Southern entrance to the canyon and is photographed best in soft light in the early morning.
NOTE: You are likely to encounter the best leaf color in the South Dakota Badlands and Black Hills the last two weeks of September.
Praire Dog biting paw.
by Osprey Photo Workshops & Tours | Aug 22, 2016 | Bird photography, Brazil, International photo tours, Nature Photography, Photo Tour, Travel, Wildlife Photography
Brazilian Pantanal photo tour–sights, photo tips, equipment, challenges.
I have been to the Brazilian Pantanal twice in the past, once on a scouting trip and most recently conducting a photo tour. In both cases, I worked with an excellent naturalist/guide/photographer who I have known for more that twenty years, Alejandro Ronchetti of KÚntur Expeditions based in Buenos Aires, Argentina.
Hyacinth Macaw
On this past trip, we flew from Dulles Airport non-stop to São Paulo and then on to the city of Cuiabá where the tour started. After a good night’s rest, we left the city in a van and headed southward, stopping briefly in Poconé for supplies before entering the Transpantaneira Highway. During the tour, we stayed overnight on two eco-friendly ranches and at the hotel Pantanal Norte at Porto Jofre. Along the Transpantaneira Highway, it was relatively easy to spot birds and other wildlife. We stopped frequently to take photos. The number of birds seen on the trip was unbelievable with remarkable numbers of snail kites and hawks in addition to many colorful birds. At one of the larger bridges, we had the opportunity to photograph a large assortment of birds–limpkins, spoonbills, herons, kingfishers, anhinga, and other birds feeding in the marsh below.
Our first stay was at the Pouso Alegre Ranch. Although the rooms were modest, the food was good, and wildlife abundant. At dawn, just outside our room were agoutis (small rodents), Southern Lapwings, rheas, toucans, and several curassows. Close to the lodge was a marsh and lagoon that straddled the road and was populated with a large number of herons, kites, kingfishers, and hawks. During the day, caiman congregated at the end of the lagoon and sun themselves on the road. One of the most unusual birds was the capped heron with a striking blue bill that was feeding along the bank in the vicinity of a a number of caiman. As we explored the ranch roads, we had the opportunity to photograph coatimundi, brocket deer, ibis, and jabiru storks. The tapir we were hoping to see eluded us, leaving only it tracks behind in the mud.
Sayaca Tanager
After 3 days on the ranch, our next stop was the riverside hotel at Porto Jofre where we had the best chance to see jaguar. The accommodations were modern and very nice with an assortment of birds just outside our rooms– buff-necked ibis, hyacinth macaws, caracaras, chaco chachalacas, toucans, just to name a few. Behind the rooms was a boardwalk leading past giant lilies and other marsh species. Twice a day for 3 days we navigated the Cuiabá River and its tributaries at Parque Estadual Encontro das Aguas (Meeting of the Waters) State Park in search of jaguar and other wildlife species. Here jaguars are protected and openly hunt spectacled caimans, capybaras, tapirs, and other animals along the riverbanks. This magnificent cat is the largest in South America and is a proficient swimmer and with its strong jaws can easily crush the skulls of its prey. Although never witnessing a kill as we had hoped, we had several opportunities to photograph jaguar relaxing and walking along the riverbank. In each case, the light was low and the animal was often in heavy shade requiring ISO settings of 1250 and above. Our boat was stable and large enough for the four of us plus Alex and our photo gear. With care, I was even able to use my 600 mm, F4 lens mounted on a tripod to photograph jaguar and small birds. Our boat driver was proficient positioning us for the best photos and was in radio communication with other guides, so when a jaguar was spotted, we knew the location. In most cases, when a jaguar was located, 4 or 5 boats would eventually arrive at the location and anchor at a distance off shore to observe the cat that seemed to be oblivious to their presence. Later in the season, when there are more tourists, I suspect the number of boats would be greater. Besides jaguar, we photographed other wildlife including giant otters, capybaras, caiman, yellow-billed terns, a pied lapwing, kingfishers, and more.
Jaguar
Our last stop in the Pantanal was two days at Fazenda Santa Tereza ranch. Here we encountered a crab eating fox, hummingbirds, yellow-chevroned parakeets, a rufous-tailed jacamar, and other birds at feeder and near the lodge. From outside our rooms and from a scaffold near the nest, we could watch a pair of jabiru interacting and fortifying their nest. We were taken to see a great potoo at its daytime roost. It was so well camouflaged as part to the tree, that it would have been nearly impossible to see without a guide. Each day we explored the river adjacent to the inn by boat and photographed black-collared and black hawk, ringed kingfisher, and herons, snatching up fish tossed in the water.. During our exploration of the river, we photographed anhinga, a sun bittern, jabiru storks, river otters and a spectacular sunset. The Pantanal was well worth visiting and I would love to return.
Added to the Pantanal trip, we had an excursion to Chapada dos Guimarães, a national park with picturesque tablelands located 65 km northwards from Cuiabá. The highlight of the visit was the Veu da Noiva Waterfall from where we could admire the tablelands and one of the highest waterfalls of the park. Of particular interest was the opportunity to photograph red-and-green macaws flying in front of the falls and canyon walls. The Pousada do Parque Lodge where we stayed was lovely with many birds visiting the grounds early and late in the day. It was the perfect place to relax at the end of the tour. However for serious landscape photography, the park was disappointing since visitors only have access between 9 AM and 5 PM, not the best time for extraordinary light and dramatic images.
On a previous trip, we flew from Cuiabá to Campo Grande and drove to the town of Bonita with access to the Southern Pantanal. The highlight of our visit was the huge sink-hole, Buraco das Araras, where red and green macaws nest. Loved it.
Sun Bittern
Lighting challenges:
The variety of birds seen was mind-boggling but lighting was not always optimal. Although on the road early in the morning and late in the afternoon when the light was warm and soft, we were also in the field when the sun was higher in the sky and the light was harsh, washing out colors, obscuring details with dark shadows, and contributing to distracting backgrounds. Since I wanted to capture the range of animals for a program on the Pantanal, I took chances on shots that required more editing than I prefer to minimize problems. The best photo opportunities during non—prime hours were when a light layer of clouds softened the light or when the subject was in open shade. However in the later case, images tend to appear flat and colors slightly muted. To compound the periodic lighting issues when shooting in jungle or forests, there were vines, branches, light colored grasses and other vegetation either in front of subjects or contributing to an undesirable background that could not be avoided. But remember, this is the real world and not a photo studio.
Equipment:
It is always a challenge to transport camera equipment on the plane. I use a Gura Gear light-weight photo backpack but it appears large on my small frame. I am always concerned bout having the bag taken away from me and placed with checked luggage. Airline personnel have challenged me on several occasions, but they reluctantly allowed me to keep the bag once I explained the delicate nature and cost of the contents.
On this trip, I took my Nikon 600 mm, VR, F4 lens. It is quite heavy and large. When shooting from a car window on a large beanbag or on a tripod, the lens is wonderful for photographing small subjects and I will continue to use it for these applications. But from the confines of the van with other photographers, the lens was difficult to maneuver and nearly impossible to hand-hold. When exiting the van and mounting the lens on a tripod, I lost precious time positioning the lens and missed a shots I may have gotten with a smaller, lighter rig . Today, its large front element and high light gathering capacity is less critical than in the past now that high end cameras such as Nikon’s D5 perform fairly well at high ISOs, producing less noise (similar in appearance to film grain) as in the past. Note: Problems with noise is magnified when underexposing an image. After observing the ease of handling and quality of several lighter and less expensive zoom telephoto lenses carried by fellow travelers, I just purchased Nikon’s 200-500 mm zoom lens for increased flexibility. Although lighter that the 600 mm, this lens is still not a feather-weight. We will see how well it performs on my next photo excursion.
Red and Green Macaws
Besides the afore mentioned lens, I took with me a Gitzo carbon fiber tripod with Arca Swiss head, 35 to 70 mm zoom lens, an 80 to 400 mm zoom lens, 62 and 77 mm polarizers, Nikon D5 and D4s cameras, spare batteries, charger, empty beanbag, 32 and 64 G fast compact flash cards, Apple MacBook Air computer and two Seagate Backup Plus 2 T portable drives for image storage. For the Pantantal, insect repellant and sunscreen are a must. Dehydration is always a consideration when spending hours in the sun on an open boat so carry an adequate supply of water. I have a water bottle with a mister attachment. Not only can I drink water from the bottle but I can also spray myself with water to cool down quickly.
Timing of my trip:
On both trips to the Pantanal, I arrived in late June and stayed until mid-July. The water level is still dropping after the wet months. Less bank is exposed compared to later in the season, making animals a little more difficult to see and photograph. Accommodations in the Pantanal are limited, so it is imperative to make reservations early. Later in the tourist season, available rooms in the best locations are more difficult to find.
Flight info:
I booked my flights to São Paulo and Cuiabá on-line directly with United Airline (the flight to Cuiabá on GOL, a partner airline). I was issued both boarding passes at the United Airline desk and our bags were checked in all the way to Cuiabá. Therefore when I retrieved my checked bags after my US flight and passed through customs, I could immediately re-check them for the remaining flight.
Coming home there was 10 hour lay-over in São Paulo Airport, so checking the bags right after the arrival of the domestic flight was not possible. Therefore we rented small rooms on a hourly basis at hotel in the airport called FastSleep. This allowed us to survive the layover comfortably, being able to nap, catch-up on e-mail, exercise by walking throughout the terminals, and pick up last minute gifts. After observing the experience of one of my fellow travelers, next time I will reserve a room using Booking.com as opposed to dealing with the hotel directly.
Great egret
