by Osprey Photo Workshops & Tours | Apr 21, 2019 | Assateague, Chicoteague, Nature Photography, Photo classes, Photo instruction, Virginia, Wildlife Photography
Photo Opportunities
Chincoteague National Wildlife Refuge & Assateague Island National Seashore

Ospreys can dive to catch fish. Their feathers shed water easily and their talons specifically designed to be able to grab and fly with their catch.
Chincoteague National Wildlife Refuge and Assateague Island National Seashore
Location & Management:
Managed by the US Fish and Wildlife Service, Chincoteague National Wildlife Refuge covers 14,000 acres of beach, dune, marsh, shrub and forest habitats. The majority of the refuge is located on the Virginia end of the narrow, 37-mile-long barrier island of Assateague (Assateague Island National Seashore) just south of Ocean City Maryland. The refuge is managed to benefit wildlife and to protect critical habitat for both resident and migrating species. Birds found on the refuge include ducks, geese, heron, raptors, warblers, and shorebirds plus deer, raccoons, Delmarva Peninsula Fox Squirrels, muskrats, foxes, and otters.

In recent years, there has been a significant drop in the number of migrating snow geese visiting the refuge in the fall. Once reaching nearly 40,000, but today the numbers are much lower. Grabbed this shot several years ago as they landed on the beach. This fall, they were there again this year.

Large numbers of snow geese sometimes stop at Bombay Hook National Wildlife refuge, DE instead of proceeding south to Chincoteague in the fall. This flock circled several times before landing.
A number of impoundments have been created by refuge staff where water levels are managed to provide resting and feeding areas for waterfowl and other species. Some dikes bordering the enclosures are topped with roads adjacent to water-filled borrow ditches where birds congregate. This arrangement offers excellent opportunities to photograph wildlife from your car, steadying your camera on a bean bag or using another means of support. Because the animals are protected on the refuge and are used to seeing people and vehicles, they are less timid than elsewhere and more easily photographed.

Clapper Rails are secretive birds found in the marshes. They feed at low tide on the exposed mud flats. Rails are often heard before seen.
Wild ponies are a favorite photo subject among visitors. Smaller than standard horses with heavy coats to protect them in this harsh environment. They appear perpetually pregnant with bloated bellies from their diet high in bulk and salt.

New born. Wild pony family.
Constant Change:
As with all barrier islands, the sand shifts with the season and strong storms. The ocean cuts through the dunes sometimes forming temporary inlets. Water-laden sand rolls over the land creating new marsh. With the landscape constantly changing, there are always new and exciting opportunities for photography. No matter when you visit, you will always find something to photograph. Even in the summer when the public beach is packed with people, you can still find photo subjects by venturing out in the early morning and late afternoon when there are fewer people to interfere with your activities.

Once endangered, Delmarva Peninsula Fox Squirrels were transplanted on Chincoteague and now they are often seen at the edge of the maritime forest.
Locating and approaching wildlife:
Spotting animals requires careful scanning of the environment for shapes, tones or colors out of place, and movement. By studying animals, whether photographing or not, you gain insight into their behavior and are better able to capture action shots. Creatures of habit, animals often visit the same locations repeatedly so check these spots on a regular basis. Know your equipment well and be prepared to photograph at any time. Have a suitable camera/lens combination ready with exposure settings pre-set for conditions you are likely to encounter. Once a potential subject is spotted, plan your approach. Consider the lighting, background, subject temperament, and the animals direction of movement. If it is following a predictable path, move slowly and indirectly to position yourself where it is heading. Be careful not to cause it to alter its behavior. Rapidly moving directly towards the animal will normally causes it to flee.

I watched the direction the fox was moving and carefully position my vehicle on the shoulder of the road at a distance in front of where I thought it was going. I made sure the warm afternoon light was illuminating its beautiful red coat

After hearing its distinctive call, I spotted this Belted Kingfisher on one of its favorite branches. As I positioned my camera, it plunged into the water and emerged with a small crab in its bill before returning to its perch. To capture various poses of the bird as the bird struggled to consume the crustacean, I held down the shutter release button and repeatedly fired a series of shots using a high number of frames/second.

Shot from my car with my Nikon D850 camera and 600 mm lens resting on a bean bag. Settings: ISO 800, F10, and shutter speeds approximately 1/2000 second.

Belted Kingfisher stretched wing just before it dove after fish.
Suggested lenses and other gear:
- A wide-angle for beach scenes, flocks of birds, and sunrise/sunsets and perhaps a 80 to 200 mm zoom lens to isolate portions of the scene.
- A 300, 400 or 600 mm telephoto for small or timid subjects such as shorebirds. It is preferable to buy long lenses that have collars for mounting on a tripod. This makes it easier to handle the camera/lens combination and it allows for quick adjustment of orientation from horizontal to vertical or in-between.

To spot animals, I look for movement. This Cedar Waxwing was part of a flock attracted to the berries. Shot with my 600-mm lens.
- A 1.4 tele-converter to extend the effective focal length of your primary lens for photographing small subjects. Note: The tele-converter reduces the amount of light reaching the sensor, cutting shutter speeds in half. For best image quality, buy one matched to your prime lens.
- A 200-mm macro lens for close focusing and high magnification when photographing a shell, insect, or flower. Compared to shorter macro lenses, with the 200-mm lens, you can obtain the same magnification at a greater working distance from your subject–a benefit if photographing something timid such as a ghost crab.
- Other gear: An electronic shutter release to prevent camera shake when using long exposures or high magnification. A polarizing filter to remove unwanted reflections and shine on surfaces of vegetation intensifying colors. Depending on the angle of the sun, it can also make the sky appear bluer. You might want to include a neutral density filter that reduces the amount of light entering the lens in order to create special effects by using slow shutter speeds to suggest motion of moving objects – the surf, the wings of birds, etc.

The lighting and pose made this photo of a Great Blue Heron special. Shot in the early AM.
- A sturdy tripod, preferably without a center post for maximum stability when using long telephoto lenses. The tripod should be topped with a professional ball head that can easily support the weight of your camera/lens combination or with a Wimberley Head (gimbal) which is preferred by many photographers for manipulating large lenses and tracking animals and birds.
- If shooting on the beach, the wind off the ocean can be fierce and unpredictable, so never walk away from the tripod. Also, watch where you place your camera gear since an incoming wave can swamp your equipment or worse, wash it away. When around blowing sand or dust, shield your camera when changing lenses to avoid particles entering the throat of the camera and making their way to the sensor resulting in dark spots on your images.

Willet picking up mole crab. Shorebird behavior is often predictable. They follow the edge of the surf, probing for organisms as waves retreat.
Useful tips:
- By having with you two cameras mounted with different lenses when in the field, you can avoid changing lenses in the open and can more quickly switch from one focal length to another.
- When on the beach, wipe or brush the sand off your tripod legs with a damp cloth to prevent particles and salt from entering the joints between tripod segments and making it difficult to adjust the tripod’s height. You can buy or create water-proof tube covers for the lower legs to minimize sand-related problems and to allow you to submerge the legs in the surf.
- If visiting in the spring, summer or early fall, bring insect repellant to guard against mosquitoes, biting flies, and ticks potentially carrying Lyme disease. Reads more on CDC’s website. https://www.cdc.gov/lyme/prev/on_people.html

Adjacent to the refuge is the town of Chincoteague with a small boat harbor. Sometimes loons are found here. It is also a good place to photograph sunset.
by Osprey Photo Workshops & Tours | Feb 20, 2015 | Assateague, Bird behavior, Brazil, Chicoteague, Nature Photography, Photo Technique, Photo Tours, Photo Workshops, Wildlife, Wildlife Photography
Animals are more active early I the morning and late in the day as opposed to mid-day when the light is harsh and temperatures are higher. Therefore you have the best chance to capture images that are dynamic at these times. Cameras that perform well (little noise) at higher ISOs are beneficial when the light is low and yet fast shutter speeds are still required.

Spectacled caiman on a ranch in Ibera Argentina. Late afternoon and warm color.

On a pond in the Falklands. Skipped dinner to photograph this and other birds on the pond.
Careful observation of your subject over time is the key to capturing action and behavior. Alterations in body posture, shifting weight, and adjustment in muscle tension (whether noted cognitively or sensed subliminally) can suggest some change in behavior. For instance, shifting of body weight of a resting animal may indicate it is ready to stand or possibly stretch.

Jack Rabbit stretching.
Birds stretching or flapping wings can often precede flight. Sandhill cranes lean forward before flying. Herons often bend knees and stretch out neck before flying. Seabirds landing on rocky cliffs often employ their wings to provide stability. Birds bathing typically splash while cleaning feathers and then shake off the excess water.

Catching its balance after landing on rock ledge.

Canvas back bathing.

Cinnamon teal bathing.

Black-necked swan taking off from pond. Neck outstretched preceded flight.

Humpback whale preparing to dive. Can predict the point at which the fluke will appear dripping water by observing the curvature of the tail at its base.

Leaning forward before flight. Sandhill cranes, Bosque del Apache.

Bends knees and leans forward before flight.
Chattering and agitated movements within a flock of birds frequently precedes the arrival of more members of their flock, the departure of birds, or the approach of a threatening predator.

Puffin landing. Birds on the ground became animated as the other approach.

Greese were vocal and agitated before leaving the pond.
Photography during breeding season is often rewarding since activities increase – turkeys strut, elk lock antlers, deer mark territory, etc. Nurturing behavior between adult and young often results in touching photos.

Black Browed Albatross preening each other. Pair bonding during breeding season.

Otter protecting young. Difficult to get this photo since rocks were slippery.

King penguin caring for new born.
by Osprey Photo Workshops & Tours | Jan 24, 2015 | Assateague, Brazil, Chicoteague, Digital Photography, Nature Photography, Pantanal, Photo Technique, Photo Tours, Photo Workshops, Wildlife, Wildlife Photography
CAMERA CLUBS & OTHER SOURCES OF INFO
Your fellow camera club members can be helpful pointing out local hotspots for wildlife photography. At one such club meeting in Manassas where I was delivering a lecture, I learned that elk herds exist in Pennsylvania, near Benesette http://elkcountryvisitorcenter.com/drupal/ . They are typically found where there is fresh browse. In the fall, the males bugled just like courtship in Yellowstone. Magazines such as Outdoor Photographer www.outdoorphotographer.com can be a great resource describing favorite locations for photography. Robert Hitchman has a newsletter “Photograph America” with detailed info on trails and photo perspectives for all types of photography. It’s a great resource if planning a trip. www.photographamerica.com Well worth the price.

WATER
Animals require 3 key things for survival, food, water and shelter. Therefore areas that provide these elements attract wildlife add offer photo opportunities. They are also good locations to place photo blinds (later discussion). For example, a pond or spring in an arid area can draw wildlife from great distances. On a ranch in south Texas I placed blinds (hides) near ponds that contained water during the hotter months of the year. At the end of the summer at Chincoteague NWR, water evaporates from the impoundments and waterways. Fish become trapped in the shallows where water remains and attract large numbers of hungry herons, raccoons, and other wildlife. Similarly, during the dry season in the wetlands of Brazil(the Pantanal) http://www.pantanal.org/Mainpant.htm, completion for food becomes fierce and animals become more visible as the water disappears.

Coatimundi drinking at pond in Mexico.

Roadrunner drinking at small pool of water during drought in South Texas.

Deer drinking in one of the few ponds with water on a ranch in south Texas.

Bufflehead in channel at Chincoteague, VA
FOOD
A reliable source of food will attract wildlife. Ripening seeds, acorns, crab apples, and fruit will attract monkeys, bears, and squirrels, as well as songbirds and other bird life. The upwelling of nutrients and food caused by strong currents such as those off the southern tip of South America attract marine life and provide food for whales, seals, sea lions, and penguins as seen in the Falkland Islands. The protected waters around Peninsula Valdes in Argentina offer shelter to elephant seals, southern sea lions, penguins, and calving southern right whales and attract photographers from around the world. But you don’t have to go to exotic places to attract and photograph wildlife. In your own backyard you can put out feeders with seed or suet, add a source of water and include an interesting perch nearby so you can capture images in what appears to be a natural setting.

Squirrel storing nut for the winter.

Chickadee feeding on berries.

Giant River Otter eating fish in the Pantanal.

Great Blue Heron with fish.

Rose-breasted Grosbeak at bird feeder.
FAVORITE PERCHES
Birds such as kingfishers, cormorants, and kiskadees often dive for fish from the same perch and return there to consume their fish offering excellent opportunities for photographs. Turkeys, vultures, snail kites, and other birds often roost in the same location each night. These are perfect places to stake out with your camera.

Kiskadee fishing from favorite branch.

Thick-billed tern perched on pole preening and fishing.

Belted Kingfisher fishing from its favorite perch.
DUSTING AREA & MINERAL LICKS
Mineral licks are also great places to photograph wildlife. At Custer State Park, SD http://gfp.sd.gov/state-parks/directory/custer/ buffalo, mule deer, and pronghorn frequent these bare patches of ground rich in minerals and nutrients. These spots are easy to recognize by the reddish color of the dirt. Other locations where animals return repeatedly are dusting areas, sections of bare ground and loose dirt where “wild burros”, buffalo, guanaco, horses, road runners and other animals kick up and roll in the dust to rid themselves of pests.

Burro dusting in Custer State Park, SD

Elephant seal throwing sand perhaps to cool off.
ICE, ROCKS & ISLANDS
If on a boat in Alaska, ice flows area good areas to look for seals. Round Island is prefect if interested in photographing walrus.

Walrus warming in the sun on Round Island.
by Osprey Photo Workshops & Tours | Mar 2, 2013 | Assateague, Chicoteague, horses, Wildlife
Assateague Island’s Wild Horses & the famous Chincoteague Ponies.
Most likely not the romantic notion that the horses are escapees from a shipwrecked Spanish Galion is not true. They are most likely descendants of domestic animals transported to Assateague Island in the 1600s to graze on marsh grasses, enabling their owners to avoid fencing laws and taxes on livestock. Sturdy animals, they are able to withstand the island’s heat, mosquitos, winds, salt spray, storms, and relatively poor food supply.
There are two separate herds, one in Maryland & one in Virginia on Chincoteague National Wildlife Refuge. They are kept apart by a fence at the MD line. The herds have divided themselves into bands of 2 to 12 animals, each occupying their own home range. The MD herd is managed by the National Park Service and the horses have been left in a relatively wild state. The wild horses attract visitors to Assateague Island National Seashore, a favorite sighting amongst visitors. The herd size is controlled by using birth control. The southern herd is located on Chincoteague National Wildlife Refuge and is owned by the Chincoteague Volunteer Fire Dept. They are visited by a veterinarian periodically, vaccinated, and provided with food when supplies of short. They are allow to graze on the National Wildlife Refuge by special permit and their numbers are limited to 150 in order to protect critical wildlife habitat and to avoid disturbing nesting birds such as the piping plover. Each year at the end of July, during the festival called “pony penning”, the horses are rounded up by the fire department’s “salt water cowboys” and swim from Assateague to Chincoteague Island where young foals are sold at auction, proceeds benefiting the Volunteer Fire Dept.
It’s a joy to watch the horses interact, but this is best done at a distance. Each year people get bitten or kicked when they approach too closely. Despite their friendly, docile appearance, they are still wild animals, not to be trusted. See my face book page (facebook.com/ospreyphotoworkshops) for a series of images of these magnificent animals.
Join me in a photo workshop on Assateague Island National Seashore, April 19-21, 2013. For info, contact Christina Hulslander 443-614-3547 or the Assateague Island Alliance at assateagueislandalliance@gmail.com. Check facebook.com/ospreyphotoworkshops for more images and details.
by Osprey Photo Workshops & Tours | Nov 16, 2012 | Assateague, Chicoteague, Photo Tours, Photo Workshops, Wildlife
Wildlife Photography Programs – free to public.
23 Nov 2012, 1:30 p.m. @ Chincoteague National Wildlife Refuge, Bateman Visitor Center
24 Nov 2012, 10:30 a.m. @ Assateague Isl National Seashore, Assateague Visitors Center

A Passion for Wildlife, the Stories Behind the Images
by Irene Hinke-Sacilotto
Based on the my more than 30 years’ experience photographing birds and other animals, this lecture covers the strategies, techniques, and equipment required to capture professional wildlife images. The program will include locating, attracting, and approaching wildlife along with prime locations for wildlife photography, the use of photographic blinds, and stalking techniques. Safety and ethical considerations will be included. Throughout the presentation, I will share my field experiences photographing in the U.S. & abroad.
